- #Bias amp 2 has a couple of celestion speakers driver
- #Bias amp 2 has a couple of celestion speakers series
That is already very different to listening to your amp 'in the room' and, in itself, takes a bit of getting used to. When listening to a modeller on studio monitors whilst recording, I am replicating a situation in which my speaker is isolated in another room and I am listening solely to its miked-up sound. The first of these is one of expectation. Others, however, including myself, continue to find this type of playing experience rather less satisfactory, and there are some reasons, beyond just unfamiliarity, why that should be so. Indeed, many people are now entirely happy with that experience and have converted their live rigs to FRFR, or disabled their modelling or impulse-response based speaker stage in order to use conventional speakers with modelled amps. So, if we can record quite happily listening to digital speaker emulation via full-range/flat-response (FRFR) studio monitors, then surely we should be equally happy on stage, monitoring via larger, high-powered, full-range speakers? The concept here is to make it as easy as possible for a guitarist to swap out the F12‑X200 into a combo or cabinet that they might already have, and to offer as much as possible of the 'feel' of a real guitar speaker within a modelling-based rig.Įven as a lifelong tube-amp devotee, I have to admit that the best digital guitar-amp modellers from class-leading companies like Fractal, Kemper, Atomic and many more are now capable of creating a very authentic and pleasing playing experience in the studio.
#Bias amp 2 has a couple of celestion speakers driver
The cone driver itself exhibits the characteristics of a normal guitar speaker, with a ceramic magnet, two-inch voice coil and a straight-sided, lightweight paper cone. The coaxial HF compression driver gives the extended high-frequency response necessary to work with a speaker-emulated signal, using the cone as a horn flare for dispersion.
#Bias amp 2 has a couple of celestion speakers series
The Ian Moore Signature 2×12 cabinet is perfectly balanced in tone, especially when matched with the Ian Moore Signature Prestige Series amp.Struggling to make amp modelling work on stage? Something just 'not quite right' in the feel? Maybe Celestion's new speaker will make all the difference.Ĭelestion's F12‑X200, announced over a year ago but only recently shipping in volume, is a 12-inch speaker with a built-in high-frequency driver and passive crossover, designed to be used with guitar amp and speaker-modelling systems. We redesigned our open back 2×12 cabinet and loaded it with Ian’s choice of Celestion speakers – Celestion Alnico Gold and a Celestion Greenback. On the CL15 you have two outputs for 4 and 8 ohms. On the back panel of the C元0 you have an impedance switch for 4, 8 or 16ohm speaker output. On the front panel you have controls for Volume, Treble, Bass, Master, Reverb and Presence and you have a 3-way bright switch w/center off. In the preamp section, you 4 have preamp tubes – 3, 12AX7 and an 12AT7 with a lush spring reverb that has plenty of response without going overboard. The 6L6 tubes are fixed bias and you have a 6V6 switch to swap tubes for smaller venues. Hours of careful planning have resulted in the Ian Moore Signature Prestige series of amps – the Ian Moore Signature Prestige C元0, his Signature CL15 and the Ian Moore Signature 2×12 cabinet.Īside from the classic, beautiful styling, our versatile series of single channel, 6L6 driven amps have tons of headroom and respond extremely well to your pedal chain. A couple of days later Ian called and we started the design process.Īfter a year of collaboration, we developed an amp with a sound that is as unique and versatile as Ian’s playing style. A rugged, gig-worthy amp that in a big venue opens up, but is just as much at home in smaller clubs as well as the studio.
A few years ago we Met Ian at a show in Dallas and talked shop for almost an hour about tone and what he was looking for in an amp.
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